Anglistisches Seminar Ruprecht-Karls-Universität Heidelberg
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Englische Literatur des Viktorianismus

Alfred Tennyson (1809-1892), "The Kraken" (1830); *"Ulysses" (1833; 1842); "Break, Break, Break" (1834; 1842); *"Tears, idle tears" (1847); "The Eagle" (1851); "The Charge of the Light Brigade" (1854); *"Crossing the Bar" (1889)

Robert Browning (1812-1889), "Song ('The year's at the spring')" (1841); *"My Last Duchess" (1842); *"The Laboratory" (1844); *"Youth and Art" (c1861; 1864); "Summum Bonum" (1889)

Thomas Carlyle (1795-1881), Past and Present (1843); "Shooting Niagara: and After?" (1867)

Emily Brontë (1818-1848), *Wuthering Heights (1847)

Charlotte Brontë (1816-1855), *Jane Eyre (1847); Shirley (1849)

Anne Brontë (1820-1849), The Tenant of Wildfell Hall (1848)

William Makepeace Thackeray (1811-1863), Vanity Fair (1847-1848)

Elizabeth Gaskell (1810-1865), Mary Barton (1848)

Christina Rossetti (1830-1894), "Song ('When I am dead, my dearest')" (1848; 1862); "Remember me when I am gone away" (1849; 1862); *"Goblin Market" (1862)

Charles Kingsley (1819-1875), Alton Locke (1850)

Charles Dickens (1812-1870), Bleak House (1852-1853); Little Dorrit (1855-1857); *Great Expectations (1860-1861)

John Ruskin (1819-1900), The Stones of Venice. Vol. II, "The Nature of Gothic" (1853); Sesame and Lilies: "Of Queens' Gardens" (1865)

Anthony Trollope (1815-1882), The Warden (1855)

John Stuart Mill (1806-1873), On Liberty (1859); The Subjection of Women (1869)

Wilkie Collins (1824-1889), The Woman in White (1860)

George Eliot (1819-1880), Silas Marner (1861); *Middlemarch (1871-1872)

Dante Gabriel Rossetti (1828-1882), "Our Lord Christ: Of Order" (1861); *"The Sonnet" (1880; 1881)

Arthur Hugh Clough (1819-1861), "The Latest Decalogue" (1862)

Lewis Carroll (1832-1898)"How doth the little crocodile" (c1862; 1865); "'You are old Father William"' (c1862; 1865); "Jabberwocky" (c1867; 1871); "He thought he saw an elephant" (1889; 1893)

Algernon Charles Swinburne (1837-1909), "Hymn to Proserpine" (1866); *"A Ballad of Dreamland" (1876); "A Forsaken Garden" (1876)

Matthew Arnold (1822-1888), Culture and Anarchy (1869); *"The Buried Life" (1852); "The Function of Criticism at the Present Time" (1864); *"Dover Beach" (1867)

John Henry Newman (1801-1890), The Idea of a University (1873)

Walter Pater (1839-1894), Preface and Conclusion to Studies in the History of the Renaissance (1873)

Samuel Butler (1835-1902), The Way of All Flesh (1873-1885; 1903)

Gerald Manley Hopkins (1844-1889), "Pied Beauty" (1877; 1918); "The Windhover" (1877; 1918); "Spring and Fall" (1880; 1918)

Thomas Hardy (1840-1928), The Return of the Native (1878); *Tess of the d'Urbervilles (1891); Jude the Obscure (1896)

George Meredith (1828-1909), The Egoist (1879)

William Schwenck Gilbert (1836-1911), "The Aesthete" (1881)

William Morris (1834-1896), News from Nowhere (1890)

Arthur Wing Pinero (1855-1934), The Second Mrs Tanqueray (1893)

Oscar Wilde (1854-1900), *The Picture of Dorian Gray (1891); Lady Windermere's Fan (1892); *A Woman of No Importance (1893); "The Decay of Lying" (1889); "The Critic as Artist" (1890); "The Soul of Man Under Socialism" (1891)

George Bernard Shaw (1856-1950), Widowers' Houses (1892); Candida (1894)

Joseph Conrad (1857-1924), Lord Jim (1900); *Heart of Darkness (1902)






Letzte Änderung: Jakubzik am 28.August 2010
Verantwortlich: Hertel, Nünning, Schnierer
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